![]() ![]() There are a variety of percussion instruments used besides the standard drum kit: tympani, a tam-tam, a whip, tubular bells, bar chimes (or perhaps the newly invented mark tree), a triangle or a bell, and güiro. In the studio, Quicksilver took the themes of Duncan's piece and redid them with an extended introduction, a different cadenza by Duncan, guitar and bass feedback, a brief interlude that rises out of the feedback, and a closing melody, played staccato, that fades out. It does resemble orchestral or symphonic music, and it is not readily classifiable as rock, jazz or blues. It has been described as "acid-flamenco", but it is definitely not flamenco music. "Calvary" was originally called the " F-Sharp Thing". This is clearly a scored piece, as opposed to the improvisational guitar playing on "Mona." The lead guitar on "Maiden of the Cancer Moon" is played by Cipollina. The ironic comment at the beginning of side two, "This here next one's rock 'n' roll," was also added in the studio. The live recording of "Calvary" was abridged shortly after the end of "Maiden of the Cancer Moon" and a studio version was recorded and substituted. Both Cipollina and Duncan take guitar solos on "Mona". The three songs were originally parts of a single continuous live performance. The second side of the album contains " Mona", another Bo Diddley song, and two instrumental compositions by Duncan, "Maiden of the Cancer Moon" and "Calvary", all of which segue. At the end, Bill Graham announces, "Quicksilver Messenger Service." According to Mick Skidmore, Cipollina found the critical laud for "Who Do You Love?" baffling, saying "it was just a two-chord jam." (April 2001, Notes to Acadia CD "Copperhead") The recorded live performance of the "Who Do You Love Suite" was almost 27 minutes long, and some of Gary Duncan's solo ("When You Love") was excised, perhaps due to the space constraints of LPs. Duncan's vocals and Cipollina's lead guitar use call-and-response, and the result is a polyrhythmic rock sound. Then comes a slower, quieter reprise of one verse of the Bo Diddley song, leading to a pianissimo ensemble vocal, followed by a finale in which Elmore changes to a back-beat, while Duncan and Freiberg still play the Bo Diddley beat. It then mellows down into some apparently improvised guitar and bass plucking and sliding, with feedback, handclapping and audience participation 'almost like a "found object" out of Dada.' Solos by Cipollina and then Freiberg follow. The performance of Bo Diddley's composition breaks down into a guitar solo by Gary Duncan in a style somewhere between jazz and rock (described as " Bloomfield-like" ) with a walking bass line by Freiberg. In a self-deprecating poke at the rendition's extended length, it is listed as the "Who Do You Love Suite", with individually titled "movements" which give writing credits to the soloist on each segment. The first side of the album consists entirely of a live performance of Bo Diddley's song, " Who Do You Love?". The record was released by Capitol Records in 1969 in stereo. Most of the album was recorded from two performances at the Fillmore East and Fillmore West, although it is not clear which parts were recorded at which Fillmore. Happy Trails is the second album of the American band Quicksilver Messenger Service. Fillmore West, San Francisco Fillmore East, New York City ![]()
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